Hunter Thompson's Rum Diary

Saturday morning was a brilliant, warm one, brought on by the Santa Ana winds, but the winds hadn't arrived yet.  The Pacific was calm and peaceful, the sky was pure blue, and rather than running off to exercise at 8 am I sat down with Hunter S. Thompson's novel, The Rum Diary. The movie has just come out and Johnny Depp plays the main character, a young journalist named Paul Kemp (who is basically HST).  I want to see the movie, but when I saw the book in the window while walking in downtown San Diego, I just had to get it.

The book had been sitting on my desk for a few days tempting me, making me relish the feasting of it all the more. I sat and read, interested, delighted, sometimes amused and laughing out loud, and wondering why he couldn't get it published until 30 years after he'd written it.  He had to be famous first. Plus he had this good friend named Johnny Depp.

I read half of it in the morning, and the other half as the afternoon waned.  It is not a great book, but a good book and a good story that is told in a writing voice that little resembles some of his later writings. There is some poetry of writing in it, certainly, and some well-written passages.  But mostly, it is readable. The Rum Diary takes you on a fun little jaunt to Puerto Rico, with a some foibles and fistfights. There is a petite blonde who is first introduced when he sees her in the airport boarding the plane, and for a while I thought he had forgotten about her --- breaking a cardinal rule of writing when introducing characters. But she was there again, angelic nymphet, coquettishly frolicking  naked in the ocean, and then teasing and flirting throughout the book until the final wildness (which I won't reveal, so I don't spoil the book for you).

So, on one hand, I saw a young writer following the rules, but on the other, breaking them: in an early scene on the plane he (Kemp) beats and old man for trying to take the seat he wanted to save for the blonde.  Then he thrashes him again while hurrying out of the plane to find the fine blonde. Not exactly a "likable character" and this is the protagonist.  And any Creative Writing 101 class, I'm sure (although I've never had one) will tell young writers that they must first create likable characters and then put them into "challenging" situations. But as Tom Robbins says, "in fiction, whatever works, works."  There should be no rules.

I enjoyed the book, from cover to cover, with only a little drag in the middle.  There were a lot of hamburgers and beer and glasses of rum, a lot of eating and drinking scenes, and several fighting ones.  It's a fun story, a little depraved and a lot of drinking -- especially toward the end -- but not near as much boozing as a Bukowski novel.

It is clearly and plainly written, an easy read. There aren't wasted sentences or too many adjectives, although he probably overused the word "savage" and he tended to begin paragraphs too often with "I" -- sometimes 4-5 times on a page.  This is a weakness to me, the sign of a young writer.  But then again, he was young when he wrote it.  On the other hand, I am sure it has been thoroughly scrubbed and edited dozens of times so that the finished book is far from the original manuscript.

The plot-line of the story is simple and well done, and it follows a logical progression while keeping you interested. There is good tension.  The writing may be considered on the "crude" side at times but it is not raw or pornographic -- absolutely not a mention of a private part beyond pink nipples and a muff, and the sex scenes are mostly romantic, nuanced or suggested, and not so much graphic detail.

Here are a few funny and/or notable passages from the book:


The light in gambling rooms is not good for aging women. It catches every crease in their faces and every wart on their necks; drops of sweat between fallow breasts, hairs on a nipple momentarily exposed, a flabby arm or a sagging eye.

*     *     *     *     *

Suddenly she began to howl: at first I thought I was hurting her, but then realized she was having some sort of  extreme orgasm.  She had several of them, howling each time, before I felt the slow bursting of mine.

*     *     *     *     *

I bought a bottle of beer for fifteen cents and sat on the bench in the clearing, feeling like an old man.  The scene I had just witnessed brought back a lot of memories--not of things I had done but of things I failed to do, wasted hours and frustrated moments and opportunities forever lost because time had eaten so much of my life and I would never get it back.

 

*     *     *     *     *

The waterfront was nearly deserted, the stores were closed, and only the churches seemed to be doing any business. We passed several of them, and in front of each one was a colorful knot of people--tan-skinned men and boys in freshly pressed suits, flowery women with veils, little girls in white dresses, and here and there a priest in a black robe and a tall black hat.

*     *     *     *     *

"If you insist on going by appearances then you'd be better off in some place like Texas."

*     *     *     *     *

The race is not to the swift, nor the battle to the strong, but to those who can see it coming and jump aside.  Like a frog evading a shillelagh in a midnight marsh.

*     *     *     *     *

The Rum Diary

Leaving Las Vegas--and Hunter S. Thompson

Last week I was in Vegas. I could've been anywhere, since I didn't do much of the Vegas scene, except for the free drinks at Happy Hour and the one-armed bandit at the airport. But whenever I'm in Vegas I think of Hunter Thompson, you know, Fear and Loathing in Las Vegas.

My take: Hunter wrote a few wild, all-out "gonzo" books early on, then he named everything, "Fear and Loathing xxx" after that. Sort of took the originality out of it. But he does get credit for pioneering the term and style, Gonzo journalism.

When things were good in New Orleans, before Katrina around the end of 2004, Hunter was there and went for drinks with his "literary executor" Doug Brinkley, at Lucky's Bar on St. Charles Avenue. Lucky's is a 24-hour dive with a pool table, fried food, and a new bartender every other week. I've spent many a night there, but usually I was at Igor's or Avenue Pub up the street. Lucky's is certainly a misnomer, since it's usually half-full of losers (other than that night I spent with a talented Cajun gal who lived upstairs).

Brinkley was a New Orleans writer, known as a very serious sort, even if he did migrate to Houston by way of Rice University. I've met Doug a few times at New Orleans literary events, before he made a million bucks on his Katrina book. I even sent him an advance copy of my manuscript (for a blurb) not knowing he was penning his own story. He was teaching at U. of New Orleans, evacuated to Houston and then taught at Tulane for a year or so. He's a very busy guy, and he cranks out books and spits out facts like a machine.

This comes from Wikipedia:

During the early 1990s, Brinkley taught American Arts and Politics out of Hofstra University aboard the Majic Bus, a roving, transcontinental classroom, from which emerged the book, The Majic Bus: an American Odyssey, published in 1993. In 1993, he left Hofstra University to teach at the University of New Orleans and taught this class again, using a natural-gas bus. He also worked with Stephen Ambrose, then Director of the Eisenhower Center at the University of New Orleans. Ambrose chose Brinkley to become Director of the Eisenhower Center for five years before going to Tulane.

Brinkley is the literary executor for his friend, the journalist Hunter S. Thompson. He is also the editor of a three-volume collection of Thompson's letters:

• Volume 1: The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967. Published April 7, 1998.
• Volume 2: Fear And Loathing In America: The Brutal Odyssey of an Outlaw Journalist. Published December 13, 2000.
• Volume 3: The Mutineer: Rants, Ravings, and Missives from the Mountaintop, 1977-2005. Schedule delayed until February, 2009.

As well, Brinkley is the authorized biographer for Beat generation author Jack Kerouac, having edited Kerouac's diaries as Windblown World. He has also written profiles of Kurt Vonnegut^[9], Norman Mailer, and Ken Kesey for Rolling Stone Magazine.

Anyway, Brinkley invited Andrei Codrescu to come along to Lucky's, and as Andrei tells it, Hunter Thompson's utterances that night were barely understandable, then a couple of months later he blew his own brains out declaring that he'd lived "17 years past 50" and that was long enough. He never wanted to be that old. I'm just hoping to make it there (next year).

As a Tijuana ex-pat who runs a cancer clinic (one of many) tells it, they propped up Hunter for one last party before his cremation. I doubt that, since he was in pieces by then, but then again, this guy cures cancer. Oh, late note--the clinic closed last week since the founder has dementia.

But Brinkley tells the story of Thompson's funeral elegantly in an article for Rolling Stone, which is a great tribute:

Myths and legends die hard in America. We love them for the extra dimension they provide, the illusion of near-infinite possibility to erase the narrow confines of most men's reality. Weird heroes and mold-breaking champions exist as living proof to those who need it that the tyranny of "the rat race" is not yet final.
-- HUNTER S. THOMPSON, 1937-2005

February was always the cruelest month for Hunter S. Thompson. An avid NFL fan, Hunter traditionally embraced the Super Bowl in January as the high-water mark of his year. February, by contrast, was doldrums time. Nothing but monstrous blizzards, bad colds and the lackluster Denver Nuggets. This past February, with his health failing, Hunter was even more glum than usual. "This child's getting old," he muttered with stark regularity, an old-timey refrain that mountainmen used to utter when their trailblazing days were over. Depressed and in physical pain from hip-replacement surgery, he started talking openly about suicide, polishing his .45-caliber pistol, his weapon of choice. He was trying to muster the courage to end it all.

Then, on February 16th, Hunter decided to leave a goodbye note. Scrawled in black marker, it was appropriately titled "Football Season Is Over." Although he left the grim missive for Anita, his young wife, Hunter was really talking to himself. Here, published for the first time, are perhaps his final written words:

No More Games. No More Bombs. No More Walking. No More Fun. No More Swimming. 67. That is 17 years past 50. 17 more than I needed or wanted. Boring. I am always bitchy. No Fun -- for anybody. 67. You are getting Greedy. Act your old age. Relax -- This won't hurt.

At the bottom of the page, Hunter drew a happy heart, the kind found on Valentine's cards. Four days later, on February 20th, he committed suicide by firing his pistol into his mouth.

You can read the rest of it here:

http://www.rollingstone.com/news/story/7605448/football_season_is_over